Concreção
The works entitled Concreção by Luiz Sacilotto are exemplary of the Concrete movement in Brazil, standing out for their exploration of simple geometric shapes and the pursuit of a rigorous and rational aesthetic. These works express the principles of the Concrete movement, emphasizing the use of geometric forms, color contrasts, mathematical precision, and optical effects, reflecting a quest for a rational and objective art.
Key aspects to be observed in these works:
- Geometry and Abstraction: Sacilotto used basic geometric shapes, such as squares, rectangles, and lines, to compose his works. These shapes were arranged precisely, creating abstract compositions that eliminated any figurative or subjective references.
- Use of Colors and Contrasts: Sacilotto's works frequently explored color contrasts, using a limited yet intense palette to highlight interactions between geometric forms. Black, white, and primary colors were common in his compositions.
- Mathematical Precision: Sacilotto applied mathematical and geometric principles to his works, creating repetitive and symmetrical patterns that emphasized order and logic. Precision was a fundamental characteristic, reflecting the influence of European Concretism.
- Optical Effects: Some of Sacilotto's works explore optical effects, creating illusions of movement and depth through the meticulous arrangement of shapes and colors. These effects invite the viewer to engage dynamically with the artwork, enhancing visual perception.
- Influence of Concretism: As a member of the Ruptura Group, Sacilotto was influenced by Concretist ideas, which promoted an objective, universal, and impersonal form of art. His Concreções exemplify this approach, serving as visual constructions that emphasize pure form and geometric structure.